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PostPosted: Mon Jun 30, 2008 11:44 am 
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Joined: Sun Sep 14, 2003 3:21 pm
Posts: 400
Location: Seattle, WA
Thorny wrote:
Wow - Cool clip! New player to me.

Ebow, and some sampling effects repeated - and the leads remind me somewhat of some of the Phil Keaggy or maybe even Yes/Steve Howe stuff - clear, sustained, fluid, and fast (not all the time, but tastefully done).



So good. I am really glad I heard that!


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PostPosted: Tue Jul 01, 2008 6:35 am 
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Posts: 142
Thanks for the potting advice, I reckon I'll have to agree and would liken it to a new cap job or something. Yes this song is on his first solo album after the Hampton Grease Band it is called Lost at Sea. I'll find some links and post them. Glad you guys like it. It can be too much for some people but I think it's just awesome.

http://www.angelfire.com/ga2/glennphillips/
not to be confused with Glenn Philips of toad the wet sprocket
make sure you read this the history of Hampton Grease Band it appeared in the reissue liner notes written by Phillips
http://www.angelfire.com/ga2/glennphill ... eband.html
There is also a discography link.

I can say I really love this dudes guitar work but some of the stuff can be a little cheesy later on
Really processed drums and such. Like on Scratched by the rabbit and Walking through walls. Still some really good songs just not as solid of a album

The first is definately the best and then Razor Pocket recaptures the the spirit and intensity some of the stuff in between is different like he's always exploring. So if you get Lost at sea and dig it yo might want to check out razor pocket and then check other stuff out. There is also the echoes compilation. Read the HGB history they played with tons of people in Atlanta where they had free concerts in a park. Dead, Mahavishnu, Bo Diddley, just to name a few.

check it out

oh yeh HEAVILY modified L6


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PostPosted: Tue Jul 01, 2008 7:12 am 
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Joined: Wed Nov 19, 2003 4:58 am
Posts: 984
Location: Southern Indiana
As long as we are talking chops here -

When I went to college years ago (rocks were just starting to be formed back then) I was a music major for the first year. My classmates were Andy Timmons and Don Carr. Andy is known for his shredding (in fact, I think they have altars in Japan where they worship him). But the guy can play ANYTHING and ANY STYLE and make it look completely effortless. And Don Carr has played for the Oak Ridge Boys for a long time now too - probably 15 years or so. He kicks too. I was better friends with Don back then, but Andy was always friendly, cordial, and at that time would sit down and try to show me the crazy stuff he was playing and even slowed down I could not get any of it. The guy is just a monster. I bumped into him about a year ago or so on a plane (his family is still in town) and he still was very nice. He endorses Mesa now and has his own signature model ibanez too. I saw him at NAMM a few years ago jammin and doing demos at the Mesa booth too.

He played so good during college in fact that I put my guitar down and hardly played for a few years - and changed majors. I just realized I how inadequate of a player I am. I few years later he was playing for Danger Danger (when hair was big, and spandex still was fashionable). Now I don't care how inadequate of a player I am! I just turn it up and keep going :D

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PostPosted: Tue Jul 01, 2008 12:04 pm 
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Location: Mount Hunter, New South Wales, Australia
Thorny wrote:
As long as we are talking chops here -
I don't care how inadequate of a player I am! I just turn it up and keep going :D


... quite right! You only get better as a player by playing with those who are better than you are; mediocrity breeds mediocrity, so I made a point of meeting, watching and jamming with those who could actually play their instruments! It also probably explains why I dabble in so many other instruments, particularly those I can hide behind, like synths... :D :D

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Because even the Australians need heroes."


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PostPosted: Thu Oct 23, 2008 12:32 am 
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Joined: Sat May 22, 2004 12:17 am
Posts: 1903
OK, I have to get it off my chest. This is really awful- I put that big divot in the front of that guitar. I knocked some effect pedal off a shelf and if just hit it like that and I felt sick. And to tell the truth, after that I was stuck- if it had come to me that way I wouldn't care, but it reminded me,a nd I couldn't imagien honestly fixing it flawlessly.

So I was really glad to find it a good home. Thanks, I feel better already.


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PostPosted: Thu Oct 23, 2008 6:04 am 
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Posts: 1339
Location: Amarillo, Texas USA
Missed the original posting of the EBow clip - just now watched it; good stuff!!!
This man did a good job - it sounded right on.

I have had an EBow since the late 70's or so; original chrome one with holster; used it about 2 weeks ago; it still works! I just need to use it more often.

RCSBlues :oops: :up:

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PostPosted: Fri Oct 24, 2008 6:21 am 
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Location: Amarillo, Texas USA
Phil Keaggy really knows how to use the Ebow; heard him play Amazing Grace with one that sounded like bagpipes - really cool.

http://www.ebow.com/ebow/audio/Keaggy_AmazingGrace.mp3

or watch this:

http://www.youtube.com/watch?v=wwq0i6jP7dQ

RCSBlues :oops: :up:

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